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JCSM Shareware Collection 1993 November
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JCSM Shareware Collection - 1993-11.iso
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MICKSOLO.ART
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1993-02-09
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JAGGER'S HARD ROCK LIFE
EVOLVING ON HIS OWN AND AS A STONE
His third solo album is in stores today
"Wandering Spirit" review
By Edna Gundersen, USA TODAY
NEW YORK -- Many a trend tracker has rushed to point out
that Mick Jagger, once the poster boy for rock-star
debauchery and youth-culture rebellion, is now older than
the president. "And younger than the secretary of state!"
Jagger snaps with a grin. At 49, the Rolling Stones singer
with the rubber lips and snaky hips remains a formidable
figure in pop music. His third solo album, Wandering
Spirit, arrives today amid a flurry of rave reviews. He
owes Atlantic Records another solo release, but first he'll
work on a new Stones album, the first product of an
estimated $45 million, six-year, three-album deal with
Virgin.
Age, Jagger contends, hasn't handicapped what is arguably
still the world's greatest band.
Aside from the furrows on his cheeks, Jagger still looks the
part: The wicked sneer, the shaggy hair, the skeletal form.
His trek through the halls of Atlantic's headquarters
triggers a chain reaction of gapes and whispers.
Holding onto rock 'n' roll relevance at fortysomething
"depends on how much energy you can put behind it," he says.
"If you get bored, you shouldn't do it."
He maintains the Stones are as timely and valid as any
contemporary act, including Seattle's slew of
grunge-rockers.
"Grunge is a rebirth of the four-man, easy-to-do rock
approach with a lot of energy," Jagger opines. "It's good
to hear people doing it, even though it's slightly retro."
Resisting rust, the Stones keep their gaze fixed on the
future. Thirty years after their first recording session,
they've yet to release a comprehensive retrospective box
set, partly due to divided ownership of the band's vast
catalog.
"I dare say it will happen in the end, because everyone will
be greedy enough to do it," says Jagger. "I don't see the
Stones as a fossilized '60s band. Over the years, we've
gone through this transmogrification of looks and styles.
"I'm probably working harder now than when I was in my 30s,"
he says, somewhat defensively. "I'm too involved in my
work, which is a disease of our society. I don't spend
enough time on spiritual things I do think you should
approach spiritual issues in different ways at different
ages'."
But music is another story. The stylistically diverse
Spirit packs the punch and swagger of early Stones rockers,
with Jagger snarling through scorchers like Don't Tear Me Up
and a boldly resurrected Think that measures up to versions
by the 5 Royales and James Brown. Jagger co-produced the
album with Def American chief Rick Rubin, famed for pushing
the envelope in rap and metal. Both were keen to
experiment.
"I look at each solo project as something different," says
Jagger. "I don't hire the same musicians and I don't write
the the same kinds of songs."
Is that a dig at bandmate Keith Richards, who followed his
warmly received first solo album with a nearly identical
follow-up last year? Jagger insists the two don't compete.
"We don't take much notice of each other's work," he says.
"If there's competition, it's very subliminal," Richards
recently told USA TODAY. He hasn't heard Jagger's solo but
says, "The buzz is I'm getting is it's the kind of Mick
Jagger record I would make."
Asked to characterize their chemistry, Jagger, after a long
pause, gingerly says, "We have a good relationship, but it's
a very English relationship, where not a lot is said. Apart
from when we were at school, we've always had an interwoven
personal and working relationship. It's hard to divide the
two."
He's even less voluble about his private life, especially
his rocky ride with model Jerry Hall, whom he wed in Bali in
1990. Gossip hounds feasted on reports of Hall's distress
over Jagger's purported romance with model Carla Bruni.
"I don't like talking about my private life," Jagger says
crisply. "I don't read tabloid newspapers and I don't watch
tabloid television. That way you don't get so affected by
it. If people want to write about it, that's their
privilege. I just ignore it."
Jagger is cautious about revealing too much in song Lyrics,
and he's dropped plans to tell all in an autobiography.
"I hated doing that--it was so dull," he says of unfinished
memoirs abandoned years ago, despite lucrative offers.
"It's very tempting, because people offer you so much money
for all this old rubbish. You have to spend tremendous time
dredging up and tarting up the past. And I always feel
there's pressure to include more squalid parts, which are
there of course."
Curious fans will have to settle for the mythic Jagger: the
preening, libidinous, distant cousin of the real thing.
"People ask me, Why do you wear makeup? Why don't you just
come off the street?" The whole idea is you don't come off
the street. You put on different clothes, you do your hair
and you acquire this personality that has to go out and
perform. When you get off the stage, that mask is dropped."
Like Richards, who has described the duality of his true
personality and the mythic "monster" perceived by the media
and masses, Jagger says his stage persona is part fiction.
"It's still me, but it's a part of me you wouldn't really
like to have in the room with you."
SEARCHING FOR A STONE
Wanted: A bass guitarist, any age, either gender. Must be
willing to endure massive fame, luxury-scale global travel
and a hefty salary.
Before the Rolling Stones get rolling again, they'll have to
hire a replacement for retiring Bill Wyman.
"I can work with any bass player, as long as he's
competent," says Mick Jagger. "I'm not very traditional --
I enjoy the idea of new blood in the band. The right person
could make the Stones kick harder."
No candidates are under current consideration. Applicants
should meet three prerequisites, says Jagger:
* "He and the drummer have to quickly get a very good,
almost intuitive understanding of each other. So how he
integrates with Charlie (Watts) is the most important
thing."
* "I'd want someone who can create interesting bass lines on
a new song, so I don't have to do it."
* "We want a guy who's amiable and doesn't cause any
trouble."
-- END OF ARTICLE --